Model, The Hunt

Staged 2019, Almeida Theatre, London, UK

“The rotating house for The Hunt operated like a magician’s box. The simple form of a house was fabricated in smart glass, which becomes opaque with electric current. At times it conjured the warmth of a home, at others it encased the protagonist in his ostracization from the small-town community. Sometimes its glass surface condensed the entire community. Occasionally the house served as shelter within a forest den, where its glass was threatened by pounding masculine drinking rituals.”

—Es Devlin

A clear structure in the general shape of a house foregrounds a black background. Many people are crammed inside the structure which is emitting some light.
Production photograph, The Hunt
By David Farr, after Thomas Vinterberg and Tobias Lindholm, staged 2019, Almeida Theatre, London, UK
Courtesy of Es Devlin
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A clear structure in the general shape of a house foregrounds a black background; one person is inside. White lights line the seams of the structure.
Production photograph, The Hunt
By David Farr, after Thomas Vinterberg and Tobias Lindholm, staged 2019, Almeida Theatre, London, UK
Courtesy of Es Devlin
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Model in the general shape of a house and made of a clear material. White light illuminates the seams of the structure. Inside the structure is a small, white model of a dog.
Es Devlin, Model, The Hunt, Acrylic, laser-cut MDF, two-way mirror, and LED, recreated for exhibition.
By David Farr, after Thomas Vinterberg and Tobias Lindholm, staged 2019, Almeida Theatre, London, UK
Photo: Elliot Goldstein © Smithsonian Institution
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Model in the general shape of a house and made of a clear material. White light illuminates the seams of the structure. Inside the structure is a small, white model of a dog.
Es Devlin, Model, The Hunt, Acrylic, laser-cut MDF, two-way mirror, and LED, recreated for exhibition.
By David Farr, after Thomas Vinterberg and Tobias Lindholm, staged 2019, Almeida Theatre, London, UK
Photo: Elliot Goldstein © Smithsonian Institution
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Model for a stage design with a basic structure in the shape of a house on the stage, within which a group of figures in suits are standing. The dark backdrop is cut horizontally by a line of white light.
Es Devlin, Study model, The Hunt
By David Farr, after Thomas Vinterberg and Tobias Lindholm, staged 2019, Almeida Theatre, London, UK
Courtesy of Es Devlin
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