Studies, Experience + Innocence

Staged 2018, U2 World Arena Tour

“For U2’s subsequent arena tour, director Willie Williams, co-stage designer Ric Lipson, the band, and I revisited the LED block we’d made for Innocence + Experience. Bono had recently survived a near-fatal bike accident, and the new set of paintings I made referenced William Blake’s 19th-century engraving, The Soul Hovering over the Body Reluctantly Parting with Life. The show began with an augmented-reality sequence. Viewed through an AR app on phones, the LED block became a melting iceberg that gradually flooded the arena. The block lifted to reveal Bono as a giant avatar looming over the audience.”

—Es Devlin

A crowd of people facing a screen with a zoomed-in image of a person singing and lifting up a much smaller person in their right hand.
Production photograph, Experience + Innocence
Staged 2018, U2 World Arena Tour
Courtesy of Es Devlin
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A large, indoor concert venue full of people with a long horizontal bar of glowing light floating above the crowd.
Production photograph, Experience + Innocence
Staged 2018, U2 World Arena Tour
Courtesy of Es Devlin
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Dynamic, black-and-white drawing with abstract forms; two rectangles with some faint text are in the center with light blue lines separating them.
Es Devlin, Study, Experience + Innocence, Mixed media on paper.
Staged 2018, U2 World Arena Tour
Photo: Elliot Goldstein © Smithsonian Institution
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Composite image of Es Devlin—a white woman with long dark hair—holding a laptop that faces the viewer while she looks to the right and gestures, with her hand, toward a blue digital rendition of a floating figure in the foreground.
Es Devlin, Rendered study, Experience + Innocence
Staged 2018, U2 World Arena Tour
Courtesy of Es Devlin
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